The Best Instant Cameras of 2017

This Fujifilm camera is the best instant camera the company makes. Even though you’ll have to spend around a hundred bucks to get it, it has features that make it worth the money. Compared to some of the other Instax Mini cameras, the Mini 90 Neo Classic is compact, comes with a long-lasting rechargeable battery, and lets you have more creative control with a push-button closeup lens and a double exposure mode. I like its dual shutter buttons, which make it super easy to take a selfie from about any angle.

For penny-pinchers or parents shopping for tweens, the Instax Mini 9 is the best camera to buy. It’s by far the cheapest, which is its main virtue. Because the Mini 9 is so affordable, you don’t have to feel quite so bad if your son breaks it, or if your daughter goes through film like it’s chewing gum. Unlike past low-end Mini cameras, the Mini 9 now has a high-key exposure feature and a standard selfie mirror up front. Keep an eye out—the Mini 9 routinely sells for around $55, making them the best value in instant photography.

If Fujifilm’s cameras leave you cold, then check out what Lomography’s whipped up. Its Instax Mini-compatible Lomo’Instant Automat cameras are actually pretty great, but my personal favorite was the top-tier Automat Glass Magellan. It has an impressive wide-angle lens packing high-quality glass elements. In the box, you also get colored gels to alter the hue of the flash and a multiple-exposure Splitzer lens cover to encourage creativity.

This Fujifilm camera is the best instant camera the company makes. Even though you’ll have to spend around a hundred bucks to get it, it has features that make it worth the money. Compared to some of the other Instax Mini cameras, the Mini 90 Neo Classic is compact, comes with a long-lasting rechargeable battery, and lets you have more creative control with a push-button closeup lens and a double exposure mode. I like its dual shutter buttons, which make it super easy to take a selfie from about any angle.

Fujifilm’s wider film requires you buy a separate camera to shoot it. Unfortunately, the Instax Wide 300 is the only first-party camera to shoot said Instax Wide film and it’s only an OK camera. Sure, it has the right features, but its huge, plasticky body means you sacrifice portability compared to a Polaroid-compatible or Instax Mini camera. Its biggest drawback is that the viewfinder can make framing close-up shots challenging to frame the way you want.

For those of us who value portability, Fujifilm offers the Instax Mini 70. This tiny camera can go anywhere with you, and doesn’t skimp on things like the valuable selfie mirror. There are two wrinkles that I think make the Mini 70 less desirable than either the Instax Mini 9 or Instax Mini 90: it’s more expensive than the Mini 9 and it requires the less common CR-2 batteries. Thankfully, you can usually find it sold at a discount just about anywhere.

The first Fujifilm camera to shoot square pictures, the SQ10 is underwhelming for the price. It’s essentially an analog camera tethered to a printer that exposes analog film. Though that setup should yield some unique benefits, I found it to be less than the sum of its parts. Unlike the Instax Mini and Wide film, the new Instax Square film packs are significantly pricier, which is another bummer.